Chloe Lamford
Awards
2013 - Winner of Arts Foundation Fellowship Award for Design for Performance: Set & Costume
2007 - Winner of Theatre Design Award from the TMA, (Small Miracle)
Nominations
2022 - Olivier Award for Best New Opera Production for Theodora, for which Chloe designed the Set
2022 - Olivier Award for Best New Musical Get Up Stand Up! The Bob Marley Musical, for which Chloe designed the Set
2021 - ENO’s Drive & Live: La bohème nominated for an Royal Television Society Award under the Live Event category
2021 - ENO’s Drive & Live: La bohème nominated for Royal Philharmonic Society Award under the Opera and Music category
2021 - J'OUVERT nominated for Best Production Play at the Black British Theatre Awards, Designed by Sandra Falase in collaboration with Chloe Lamford
2019 - Best Designer Golden Mask | Russian Performing Arts Festival & National Theatre Awards Alcina
2018 - Broadway World UK Best Set Design of a New Production of a Play or Musical Award for Europe at Donmar Warehouse
2018 - Broadway World UK Best Set Design of a New Production of a Play or Musical Award for John at The National Theatre
2018 - Nominated for h100 Award Theatre Category
Chloe trained as a designer at the Wimbledon School of Art, London.
Chloe designs set and costume across theatre, opera, and dance on an international scale.
Gallery
2023
Production |
Company |
---|---|
Phaedra | The National Theatre, Dir. Simon Stone, Set Des. Chloe Lamford |
Romeo and Juliet | The Almeida, Dir. Rebecca Frecknall, Set Des. Chloe Lamford, Costume Des. Debbie Duru |
2022
Production |
Company |
---|---|
Innocence | Finnish National Opera, Dir. Simon Stone, Set Des. Chloe Lamford |
Pelléas et Mélisande | New National Theatre Tokyo, Dir. Katie Mitchell, Set Des. Chloe Lamford |
Theodora | Royal Opera House, Dir. Katie Mitchell, Set Des. Chloe Lamford |
Traplord (World Premiere) | 180 Studios, Dir & Chor. Ivan Michael Blackstock, Co Des. Chloe Lamford & Shankho Chaudhurioe, Lighting Des. Simisola Majekodunmi |
The Handmaid's Tale | Royal Danish Opera, Copenhagen, Dir. John Fulljames, Costume Des. Christina Cunningham |
Othello | National Theatre, Dir. Clint Dyer, Set Des. Chloe Lamford |
One-Woman Show - written and performed by Liz Kingsman | Soho Theatre, Dir. Adam Brace |
2021
Production |
Company |
---|---|
Get Up Stand Up! The Bob Marley Musical | Lyric Theatre, Dir. Clint Dyer, Set Des. Chloe Lamford, Associate Set Des. Debbie Duru |
The Song Project | The Royal Court, Co-Creators Chloe Lamford, Wende, Isobel Waller-Bridge, Imogen Knight |
J'OUVERT | Harold Pinter Theatre, Dir. Rebekah Murrell, Designed by Sandra Falase in collaboration with Chloe Lamford, Lighting Des. Simisola Majekodunmi |
Innocence (World Premiere) | Festival d'Aix-en-Provence, Dir. Simon Stone, Set Des. Chloe Lamford |
Is God Is | The Royal Court, Dir. Ola Ince, Set Des. Chloe Lamford, Special Effects Des. Susanna Peretz |
2020
Production |
Company |
---|---|
Shoe Lady | The Royal Court, Dir. Vicky Featherstone, Movement Dir. Sasha Milavic Davies, Associate Lighting Des. Simisola Majekodunmi |
The Brief and Frightening Reign of Phil | New Zealand Festival Theatre, Music and lyrics by Bret McKenzie, Dir. Lyndsey Turner, Co-Des. Camilla Clarke |
La bohème | ENO: Drive & Live at Alexandra Palace, Dir. P.J Harris, Costume Des. Camilla Clarke |
Hang Your Lights - Jamie Cullum (Music Video) | Just Fred Limited, Production Designers Marty Moore & Chloe Lamford |
2019
Production |
Company |
---|---|
The Crucible | Theatre Basel (Switzerland), Dir. Robert Icke, Costume Des. Wojciech Dziedzic |
The American Clock | Old Vic Theatre, Dir. Rachel Chavkin |
Hilary and Clinton | John Golden Theatre, US, Dir. Joe Mantello |
Europe | The Donmar, Dir. Michael Longhurst |
Antipodes | The National Theatre, Co-Directing with Annie Baker & Design, Movement Dir. Sasha Milavic Davies, Sound Des. Tom Gibbons |
The Duchess of Malfi | Almeida Theatre, Dir. Rebecca Frecknall |
Teenage Dick | Donmar Warehouse, Dir. Michael Longhurst |
2018
Production |
Company |
---|---|
Shakespeare's Last Play | Schaubühne (Berlin), Dirs. Ben Kidd & Bush Moukarzel |
Amadeus | National Theatre, Dir. Michael Longhurst |
John | National Theatre, London, Dir. James Macdonald |
Pelléas et Mélisande | Teatr Wielki Opera Narodowa, Dir. Katie Mitchell |
Ariadne auf Naxos | Festival d'Aix-en-Provence, France, Dir. Katie Mitchell |
Britney and Goofy | Hetpaleis (Antwerp), Dir. Lies Pauwels |
Gundog | Royal Court (London), Dir. Vicky Featherstobe, Prosthetic & Wig Des. Susanna Peretz |
Pity | Royal Court (London), France, Dir. Sam Pritchard, Movement Dir. Sasha Milavic Davies, Costume Des. Annemarie Woods, Prosthetic & Wig Des. Susanna Peretz |
Hamilton Complex | Schauspielhaus Bochum (Germany), France, Dir. Lies Pauwels |
The Cane | Royal Court, Dir. Vicky Featherstone |
2017
Production |
Company |
---|---|
1984 Tour (West End Production) | State Theatre Company of South Australia |
Road | Royal Court Theatre, Dir. John Tiffany, Chor. Jonathan Watkins, Wigs & Hair/Makeup Des. Susanna Peretz |
Miranda | Opéra Comique, Paris, Dir. Raphaël Pichon |
Our Ladies of Perpetual Succour | Duke of York's Theatre, Dir. Vicky Featherstone |
B & Victory Condition | Royal Court Theatre, Dir. Vicky Featherstone |
The Tempest | Donmar Warehouse & St Ann's Warehouse (US), Dir. Phyllida Lloyd |
Beginners | Unicorn Theatre (London), Dir. Tim Crouch, Associate Des. Camilla Clarke |
2016
Production |
Company |
---|---|
Ophelia's Zimmer | Royal Court Theatre, Dir. Katie Mitchell, Lighting Des. Fabiana Piccioli |
Pelléas et Mélisande | Festival d'Aix en Provence, Dir. Katie Mitchell |
Our Ladies of Perpetual Succour | National Theatre and UK Tour, Dir. Vicky Featherstone |
The Tempest (Donmar Warehouse Production) | St Ann's Warehouse, Brookly, Dir. Phyllida Lloyd |
1984 | Playhouse Theatre, Dir. Robert Icke |
Amadeus | National Theatre, Dir. Michael Longhurst |
De meiden | Stadsschouwburg Amsterdam, Dir. Katie Mitchell |
2015
Production |
Company |
---|---|
Verkarte Nacht | Rambert Sadler's Wells & UK Tour, Chor. Kim Brandstrup |
Our Ladies of Perpetual Succour | National Theatre Scotland, Dir. Vicky Featherstone |
Hamilton Complex | Hetpaleis, Antwerp, Dir. Lies Pauwels |
The Twits | The Royal Court, Dir. John Tiffany |
How to Hold Your Breath | The Royal Court, Dir. Vicky Featherstone |
Rules for Living | National Theatre, Dir. Marianne Elliott |
Alcina | Festival d'Aix en Provence, Dir. Katie Mitchell |
2014
Production |
Company |
---|---|
Events | Actors Touring Company - USA tour |
God Bless the Child | The Royal Court Theatre, Dir. Vicky Featherstone |
2071 | Royal Court Theatre, Dir. Katie Mitchell |
Teh Internet is a Serious Business | Royal Court Theatre, Dir. Hamish Pirie |
Praxis Makes Perfect (revival) | Berlin |
1984 | Almeida Theatre, Playhouse Theatre & Headlong UK Tour, Dir. Robert Icke, Video Des. Tim Reid, Sound Des. Tom Gibbons |